So how do you achieve all that, without spending ridiculous amounts of time trying to figure it all out from scratch? When you’re putting together a fun and dynamic video project, the transitions you use between sequences can pretty much make or break the entire clip – they need to be eye-catching and engaging, look professional, be seamlessly inserted in between scenes, and match the overall feel of your film.
Many resources refer to these 2 effects as being similar, but by definition, Ken Burns is being applied to static pictures.35+ Free Premiere Pro Video Transitions to Download (Cool & On Trend) 2022 Published On: These effects are actually just iterations of very common effects like Pan & Zoom (in camera) and the popular Ken Burns Effects (in-camera and later in post), which was invented by camera operator Ken Burns when showing photographs in films & documentaries. With these techniques, you can spice up static shots and add convincing cinematic movement to your footage. It will depend on the footage so feel free to play around with this value. Now with the Basic 3D Effect add keyframes to the ’tilt’ value. This time accentuate it a little more to emphasize the ‘ dolly‘ style movement.
Add a scale movement to the footage as in the previous techniques. But instead of adjusting the rotate value, we will add an effect to the footage to get the Fake Dolly Zoom. This is very similar to the ‘ Rotate&Zoom‘ effect. Adjust the position of your footage as if the camera was following the moving subject. Add keyframes at the beginning and end of your clip. Again hit the ‘ Motion‘ Button (to activate the handles) and activate the keyframe recording by clicking the position value ( Effects Controls > Motion > Position). The only difference is, you are “follow” a moving subject within the footage rather than moving towards a static object. You are just adding some movement to the footage with the position value.
This one is very similar to the first technique ‘ Pan&Zoom‘. Now after you did add keyframes at the beginning and end of your clip, just add a subtle rotation by hitting the stopwatch on the rotation value right below the scale value (which activates the keyframe recording). Since you hit the stopwatch the keyframe will be added automatically at the current time where the playhead is sitting. Once you highlight ‘ Motion‘ in the Effect Controls you will see handles in the program monitor which you can click and drag. Keyframe from 100 to around 110 in the scale value ( Effect Controls > Motion > Scale) by hitting the stopwatch. So start off by adding some movement with the scale value. This time we will just add a subtle rotation. This is often referred to as the popular ‘ Pan & Zoom‘ effect. As if the camera operator did move toward a certain point in view, like a building for instance. You can add the previous technique to this, by adding a subtle movement with the position value. Hit the stopwatch for the scale value ( Effect Controls > Motion > Scale).
It’s a similar technique as the previous one, but his time you will be animating the scale value. Here as well, make sure your actual footage occupies more real estate than the sequence. This will add a very appealing subtle movement to your static footage as if you did a smooth pan in camera on a tripod. Make sure the actual footage is bigger than the sequence dimensions otherwise you will end up with black areas because there is not enough visible content. Then add another keyframe at the end, but move your clip over just a little bit to the left or the right. Add a keyframe at the beginning of your clip. Pan Around Your FootageĪdd a subtle movement to your footage by animating the position value of your clip in the Effect Controls ( Effects Controls > Motion > Position). If you want to add some cinematic movement like the fake dolly zoom to your footage this video will show you spice up your edit. Premiere Pro - 5 cinematic camera movements like pan & zoom and fake dolly